Duration 120 minute

creators Daniel Stiepleman

release Date 2018

20275 vote

Genre Drama

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Ãã¼ãã»ãªãã»ãã»ãªã3.4. In this corner called England, at this end of the century, there has happened a strange and startling thing. Openly and to all appearance, this ancestral conflict has silently and abruptly ended; one of the two sexes has suddenly surrendered to the other. By the beginning of the twentieth century, within the last few years, the woman has in public surrendered to the man. She has seriously and officially owned that the man has been right all along; that the public house (or Parliament) is really more important than the private house; that politics are not (as woman had always maintained) an excuse for pots of beer, but are a sacred solemnity to which new female worshipers may kneel; that the talkative patriots in the tavern are not only admirable but enviable; that talk is not a waste of time, and therefore (as a consequence, surely) that taverns are not a waste of money. All we men had grown used to our wives and mothers, and grandmothers, and great aunts all pouring a chorus of contempt upon our hobbies of sport, drink and party politics. And now comes Miss Pankhurst with tears in her eyes, owning that all the women were wrong and all the men were right; humbly imploring to be admitted into so much as an outer court, from which she may catch a glimpse of those masculine merits which her erring sisters had so thoughtlessly scorned.
Now this development naturally perturbs and even paralyzes us. Males, like females, in the course of that old fight between the public and private house, had indulged in overstatement and extravagance, feeling that they must keep up their end of the see-saw. We told our wives that Parliament had sat late on most essential business; but it never crossed our minds that our wives would believe it. We said that everyone must have a vote in the country; similarly our wives said that no one must have a pipe in the drawing room. In both cases the idea was the same. "It does not matter much, but if you let those things slide there is chaos." We said that Lord Huggins or Mr. Buggins was absolutely necessary to the country. We knew quite well that nothing is necessary to the country except that the men should be men and the women women. We knew this; we thought the women knew it even more clearly; and we thought the women would say it. Suddenly, without warning, the women have begun to say all the nonsense that we ourselves hardly believed when we said it. The solemnity of politics; the necessity of votes; the necessity of Huggins; the necessity of Buggins; all these flow in a pellucid stream from the lips of all the suffragette speakers. I suppose in every fight, however old, one has a vague aspiration to conquer; but we never wanted to conquer women so completely as this. We only expected that they might leave us a little more margin for our nonsense; we never expected that they would accept it seriously as sense. Therefore I am all at sea about the existing situation; I scarcely know whether to be relieved or enraged by this substitution of the feeble platform lecture for the forcible curtain-lecture. I am lost without the trenchant and candid Mrs. Caudle. I really do not know what to do with the prostrate and penitent Miss Pankhurst. This surrender of the modern woman has taken us all so much by surprise that it is desirable to pause a moment, and collect our wits about what she is really saying.
As I have already remarked, there is one very simple answer to all this; these are not the modern women, but about one in two thousand of the modern women. This fact is important to a democrat; but it is of very little importance to the typically modern mind. Both the characteristic modern parties believed in a government by the few; the only difference is whether it is the Conservative few or Progressive few. It might be put, somewhat coarsely perhaps, by saying that one believes in any minority that is rich and the other in any minority that is mad. But in this state of things the democratic argument obviously falls out for the moment; and we are bound to take the prominent minority, merely because it is prominent. Let us eliminate altogether from our minds the thousands of women who detest this cause, and the millions of women who have hardly heard of it. Let us concede that the English people itself is not and will not be for a very long time within the sphere of practical politics. Let us confine ourselves to saying that these particular women want a vote and to asking themselves what a vote is. If we ask these ladies ourselves what a vote is, we shall get a very vague reply. It is the only question, as a rule, for which they are not prepared. For the truth is that they go mainly by precedent; by the mere fact that men have votes already. So far from being a mutinous movement, it is really a very Conservative one; it is in the narrowest rut of the British Constitution. Let us take a little wider and freer sweep of thought and ask ourselves what is the ultimate point and meaning of this odd business called voting.
. br> VIII THE BRAND OF THE FLEUR-DE-LIS
Seemingly from the dawn of man all nations have had governments; and all nations have been ashamed of them. Nothing is more openly fallacious than to fancy that in ruder or simpler ages ruling, judging and punishing appeared perfectly innocent and dignified. These things were always regarded as the penalties of the Fall; as part of the humiliation of mankind, as bad in themselves. That the king can do no wrong was never anything but a legal fiction; and it is a legal fiction still. The doctrine of Divine Right was not a piece of idealism, but rather a piece of realism, a practical way of ruling amid the ruin of humanity; a very pragmatist piece of faith. The religious basis of government was not so much that people put their trust in princes, as that they did not put their trust in any child of man. It was so with all the ugly institutions which disfigure human history. Torture and slavery were never talked of as good things; they were always talked of as necessary evils. A pagan spoke of one man owning ten slaves just as a modern business man speaks of one merchant sacking ten clerks: It's very horrible; but how else can society be conducted? A mediaeval scholastic regarded the possibility of a man being burned to death just as a modern business man regards the possibility of a man being starved to death: It is a shocking torture; but can you organize a painless world? It is possible that a future society may find a way of doing without the question by hunger as we have done without the question by fire. It is equally possible, for the matter of that, that a future society may reestablish legal torture with the whole apparatus of rack and fagot. The most modern of countries, America, has introduced with a vague savor of science, a method which it calls "the third degree." This is simply the extortion of secrets by nervous fatigue; which is surely uncommonly close to their extortion by bodily pain. And this is legal and scientific in America. Amateur ordinary America, of course, simply burns people alive in broad daylight, as they did in the Reformation Wars. But though some punishments are more inhuman than others there is no such thing as humane punishment. As long as nineteen men claim the right in any sense or shape to take hold of the twentieth man and make him even mildly uncomfortable, so long the whole proceeding must be a humiliating one for all concerned. And the proof of how poignantly men have always felt this lies in the fact that the headsman and the hangman, the jailors and the torturers, were always regarded not merely with fear but with contempt; while all kinds of careless smiters, bankrupt knights and swashbucklers and outlaws, were regarded with indulgence or even admiration. To kill a man lawlessly was pardoned. To kill a man lawfully was unpardonable. The most bare-faced duelist might almost brandish his weapon. But the executioner was always masked.
This is the first essential element in government, coercion; a necessary but not a noble element. I may remark in passing that when people say that government rests on force they give an admirable instance of the foggy and muddled cynicism of modernity. Government does not rest on force. Government is force; it rests on consent or a conception of justice. A king or a community holding a certain thing to be abnormal, evil, uses the general strength to crush it out; the strength is his tool, but the belief is his only sanction. You might as well say that glass is the real reason for telescopes. But arising from whatever reason the act of government is coercive and is burdened with all the coarse and painful qualities of coercion. And if anyone asks what is the use of insisting on the ugliness of this task of state violence since all mankind is condemned to employ it, I have a simple answer to that. It would be useless to insist on it if all humanity were condemned to it. But it is not irrelevant to insist on its ugliness so long as half of humanity is kept out of it
All government then is coercive; we happen to have created a government which is not only coercive; but collective. There are only two kinds of government, as I have already said, the despotic and the democratic. Aristocracy is not a government, it is a riot; that most effective kind of riot, a riot of the rich. The most intelligent apologists of aristocracy, sophists like Burke and Nietzsche, have never claimed for aristocracy any virtues but the virtues of a riot, the accidental virtues, courage, variety and adventure. There is no case anywhere of aristocracy having established a universal and applicable order, as despots and democracies have often done; as the last Caesars created the Roman law, as the last Jacobins created the Code Napoleon. With the first of these elementary forms of government, that of the king or chieftain, we are not in this matter of the sex...

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Euphoria centers on CDC researcher Abby Arcane. When she returns to her childhood home of Houma, Louisiana, in order to investigate a deadly swamp-borne virus, she develops a surprising bond with scientist Alec Holland — only to have him tragically taken from her. But as powerful forces descend on Houma, intent on exploiting the swamp’s mysterious properties for their own purposes, Abby will discover that the swamp holds mystical secrets, both horrifying and wondrous — and the potential love of her life may not be after all.

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The sets are nice, it looks like a70's movie (although not enough smokers)
But it's just so dull. And its so annoying the way the movie winks and nods when a male character dismisses a female character.
And Jones accent.
What the hell. It's awful. She says a Bostonian sounding word every 20 mins to remind us "lawya"
Ugh
Avoid. Ãã³ã«ããã»ããããà la consommation. Ãã¬ããã¹ãã»ãã§ã¼ãà 3 jour. What a missed opportunity!
They had an amazing, once in a lifetime, real
Story and they made a movie that was a piece of garbage! She was miscast. Army Hammer is the worst actor of all time. The script was terrible! And they MISSED the most important and impactful areas of her life. What a shame! One of the worst films of the year.

Ãã¬ããã¹ãã»ãã§ã¼ãà 3 ans.

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